Indigenous cosmologies are mobilized as a counter-epistemology to Western modernity’s foundational split between “nature” and “culture,” exposing how scientific rationality, property regimes, and extractivist development produce the Anthropocene as a spiritual-material war against relational life. Krenak’s performative and oral modes of address (from mourning body-paint to shamanic narration) function as biopolitical and aesthetic tactics that reframe forests as living monuments/archives, indict colonial-state violence and urban “sustainability” as ideological traps, and propose perspectivism, reciprocity, and world-making storytelling as practices that defer apocalypse.

Post-hype social media critique shifts from diagnosing harms to a Foucauldian ethics of the self: devising practices, rituals, and “technologies of the self” that can metabolize perpetual streams of attention capture without defaulting to either ascetic withdrawal or compulsive participation. Set against neoliberal crisis and platform centralization, the text triangulates anthropotechnic training (Sloterdijk), craft/skill (Sennett), and media literacy/“crap detection” (Rheingold) to argue for disciplined infotention and politicized collective action as counterweights to the Eternal Now, boredom, and managed restlessness of networked life.