Kadist
Eflux
A new way to explore contemporary art and ideas
How does technology reshape our sense of truth?
Deepfakes, algorithmic feeds, and synthetic media blur the lines between what is real and what is constructed, challenging the foundations of shared reality.
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[ e-flux ]
[ e-flux ]
Reprogramming Decisionism
Post-truth politics is framed as a meta-digital regime in which algorithmic systems quantify affect and privilege rapid decisiveness over veridical judgment, shifting computation from binary verification toward automated modulation of conduct. Reworking Heideggerian critiques of cybernetic instrumentality through histories of AI and machine learning, the text argues that contemporary deep learning operationalizes uncertainty and randomness as a transcendental instrumentality—an inhuman epistemology that both amplifies bias and generates new, mediated forms of reasoning beyond human-centered truth and fact.
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[ KADIST ]
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All Watched Over by Machines of Loving Grace
Stages a triangulation between Brautigan’s cybernetic pastoral, Curtis’s critique of computational governance, and Cope’s algorithmic authorship to probe how AI mediates affect, agency, and the promise/failure of technological emancipation. Through glossy, floating CGI objects and synthetic sound/voice, the work reframes the everyday as liminal “transition” zones—an uncanny parallel reality where representation displaces function and the virtual becomes a metaphysical extension of consciousness.
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[ KADIST ]
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Book of Veles 44 - Bojan
A self-reflexive critique of post-truth media, the work weaponizes photorealistic simulation to collapse the boundary between documentary evidence and fabricated narrative, implicating photojournalistic authority in the same attention economy that sustains disinformation. By paralleling Veles’s contemporary clickbait industry with the forged pagan manuscript, it frames authenticity as a culturally produced belief-system—where nationalism, faith, and technological image-making converge to manufacture reality.
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Images Are Masks
Images operate as masks within an algorithmic propaganda ecology where context is stripped, truth is manufactured through virality, and the state’s visual regime merges nationalism, surveillance, and censorship to rewrite history while punishing dissent. Against the collapse of verification and the commodification of journalism, the text proposes glitch, opacity, and coded metaphor as aesthetic-political tactics that reintroduce doubt, expose the constructedness of “truth,” and contest the weaponization of representation.
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