Myth and poesis are mobilized as feminist technologies of interruption that undo the “Ordered World” of separability, linear time, and bourgeois hetero-patriarchal reason, reframing Medea’s irreconcilable cosmologies as a critique of capitalist enclosure and North/South modernity. Le Nemesiache’s interdisciplinary praxis—psycho-fables, occupations, counter-festivals, and sibylline/amazonian figures—conjoins embodied memory, ecology, and transfeminist metamorphosis to “disenclose” suppressed knowledges and invent a new common metaphysics where art and political life co-produce planetary, nonbinary futures.

Religious resurgence is framed as an evolutionary success within a media ecology dominated by repetition, where the Internet privatizes the political and privileges sovereign “freedom of faith” (ritual, commitment beyond justification) over institutional, evidentiary discourse associated with science and liberal-democratic deliberation. Fundamentalism appears as a post-Enlightenment, post-deconstructive politics of the letter—literal repetition aligned with reproduction—while digital video recasts revelation as the staged visualization of invisible code, making identity/originality a matter of belief and offering a technical, immanent model of immortality via endlessly repeatable loops.